Beryl Fletcher – 2006
As it is for many women writers, writing fiction was a life-long goal which was realised later rather than sooner. Her novels take as their theme the re-writing of established power structures, particularly those of the patriarchy. Born into what she describes as “a socialist working class family” in Auckland, Fletcher graduated in 1979 from Waikato University with a Masters Degree in Sociology.
Living in New Zealand, Australia, England and the USA, she worked in a range of roles, including as a mother, a school dental nurse, and a University lecturer. Her writing career began with a bang when her first novel The Word Burners (1991) won the Commonwealth Writers Prize for Best First Book in the Asia / Pacific region. It was selected as one of the top twenty in the 1991 Listener Women’s Book Festival. Shortly after the publication of her second novel, The Iron Mouth (1994), Fletcher was chosen to represent New Zealand at the prestigious International Writing Program at the University of Iowa, USA. She now holds the title of Honorary Fellow in Writing at the University. Her third novel, The Silicon Tongue (1996) has been translated into Korean. Her fourth novel, The Bloodwood Clan (1999) is set inside an Amish-like cult called The Diggers, who live a 19th Century lifestyle in contemporary rural Australia. Both of these books have been translated into German and are published by Random House in Germany.
While primarily a novelist, Fletcher has published a number of short stories in anthologies including New Australian Writing (1973); New Women’s Fiction 3 (1989); Subversive Acts (1991); and Me and Marilyn Monroe (1993).
In 1999, as Writer in Residence at Waikato University, Fletcher began work on her first non-fiction book, a memoir written in narrative form. Published in 2003, The House at Karamu is a funny and touching memoir in which Fletcher recalls her wartime childhood, her discovery of opera, feminism and more. It tells the story of one life, yet will be familiar to many.
In 2005, Fletcher was chosen to attend Ledig House International Writers’ Residency in upstate New York. Established in 1992, Ledig house has hosted hundreds of writers and translators from over 50 countries. In 2006, Fletcher was awarded the Randell Cottage Writers Residency in Wellington. She is currently writing a collection of short stories and a novella.
Annie Saumont has been writing short stories for twenty years and with 200 to her name, she is considered as a reference for short story writers. She has received a number of prizes including the coveted Prix Goncourt and the Grand Prix de l’Académie Française (for her entire body of work).
Renée (1929-) Feminist dramatist and fiction writer Renée was born in Napier, and is of Ngati Kahungunu and Irish-English-Scots ancestry. After leaving school at 12, Renée worked in a woollen mill, printing factory and grocery-dairy store before heading off to study, completing a BA at the University of Auckland in 1979. In 1989 Renée was awarded the Burns Fellowship.
Dominique Mainard (1967-) is a novelist, short story writer and translator and has developed her passion for New Zealand literature through the works of Janet Frame, whose writing she has translated since 1994 (Owls do Cry, Joëlle Losfeld). After publishing three short story anthologies, including Le Second Enfant, for which she received the Prix Prométhée de la nouvelle in 1994 (La Différence), and Le Grenadier (Gallimard, 1997), Mainard published her first novel in 2001, Le Grand Fakir (Joëlle Losfeld) set in a cruel world inhabited by strange and gruesome creatures.
Michael Harlow (1937- ) was born in the USA of a Greek father and American-Ukrainian mother, travelled extensively in Europe before arriving in New Zealand in 1968. Known primarily for his poetry, which appears in several New Zealand anthologies, he was also in the 1980s an editor of the Caxton Press poetry series and poetry editor of Landfall. Harlow’s sensibility is also identified by a whimsical, questioning persona, and a persistent engagement with the workings of the unconscious.
Pierre Furlan (1943- ) was born in southwestern France in 1943, he spent his adolescence in California and studied at UC Berkeley. He then settled permanently in Paris. Furlan is the author of five books of fiction and is also well known as a literary translator. It is in fact by translating three contemporary New Zealand writers — first Alan Duff, then Elizabeth Knox and Geoff Cush — that he established the special link that brought him to New Zealand. Pierre Furlan’s writing thrives on the gap between fantasy and reality, questioning the familiarity of our everyday world, as evidenced in his book of stories L’Atelier de Barbe-bleue (Bluebeard’s Workshop, 2002).
Charles Juliet was the second French writer, after Nadine Ribault in 2002, to be awarded the residency. Juliet is a 69 year-old poet and novelist who shares his time between Lyons in central France and the nearby village of Jujurieux where he was born. A great admirer of Katherine Mansfield, Charles Juliet also loves the game of rugby. The French laureate has published over thirty books including collections of poems, short stories, autobiographical novels (Lambeaux, L’Année de l’éveil) and plays.
Tim Corballis (1971 -) is a fiction writer whose first novel Below was published in 2001. His fiction has also appeared in Sport, The Picnic Virgin, and Spectacular Babies. He has attended both the University of Auckland and Victoria University of Wellington. It was at Victoria University that Corballis completed Bill Manhire’s Creative Writing Program, (now 
Nadine Ribault (1964–2021) was born in Paris and travelled a great deal during her childhood, to Africa, Holland and Scotland. She obtained a BA in French literature at La Sorbonne in Paris, then taught French in the Lorraine region in France. Ribault then went on to spend several years in Japan, teaching French language and French literature. It was during this time where she wrote a great deal and was involved in organizing lithographies exhibitions.