New Zealand writers

Beryl Fletcher – 2006

Beryl Fletcher – 2006

Photo of Beryl FletcherAs it is for many women writers, writing fiction was a life-long goal which was realised later rather than sooner. Her novels take as their theme the re-writing of established power structures, particularly those of the patriarchy. Born into what she describes as “a socialist working class family” in Auckland, Fletcher graduated in 1979 from Waikato University with a Masters Degree in Sociology.

Living in New Zealand, Australia, England and the USA, she worked in a range of roles, including as a mother, a school dental nurse, and a University lecturer. Her writing career began with a bang when her first novel The Word Burners (1991) won the Commonwealth Writers Prize for Best First Book in the Asia / Pacific region. It was selected as one of the top twenty in the 1991 Listener Women’s Book Festival. Shortly after the publication of her second novel, The Iron Mouth (1994), Fletcher was chosen to represent New Zealand at the prestigious International Writing Program at the University of Iowa, USA. She now holds the title of Honorary Fellow in Writing at the University. Her third novel, The Silicon Tongue (1996) has been translated into Korean. Her fourth novel, The Bloodwood Clan (1999) is set inside an Amish-like cult called The Diggers, who live a 19th Century lifestyle in contemporary rural Australia. Both of these books have been translated into German and are published by Random House in Germany.

While primarily a novelist, Fletcher has published a number of short stories in anthologies including New Australian Writing (1973); New Women’s Fiction 3 (1989); Subversive Acts (1991); and Me and Marilyn Monroe (1993).

In 1999, as Writer in Residence at Waikato University, Fletcher began work on her first non-fiction book, a memoir written in narrative form. Published in 2003, The House at Karamu is a funny and touching memoir in which Fletcher recalls her wartime childhood, her discovery of opera, feminism and more. It tells the story of one life, yet will be familiar to many.

In 2005, Fletcher was chosen to attend Ledig House International Writers’ Residency in upstate New York. Established in 1992, Ledig house has hosted hundreds of writers and translators from over 50 countries. In 2006, Fletcher was awarded the Randell Cottage Writers Residency in Wellington. She is currently writing a collection of short stories and a novella.

Renée – 2005

Renée – 2005

Photo of RenéeRenée (1929-) Feminist dramatist and fiction writer Renée was born in Napier, and is of Ngati Kahungunu and Irish-English-Scots ancestry. After leaving school at 12, Renée worked in a woollen mill, printing factory and grocery-dairy store before heading off to study, completing a BA at the University of Auckland in 1979. In 1989 Renée was awarded the Burns Fellowship.

Renée started writing for the stage at the age of 50 and, of her more than 10 plays, one of the most successful works Wednesday to Come to in Wellington in June 2005.

She has been involved with community theatre, the Broadsheet Collective, PEN, radio shows, programme organisation for the Globe Theatre in Dunedin, and with script writing for TV.

Renée teaches at the Whitireia Community Polytechnic graduate creative writing course and is completing her sixth novel. During the residency Renée will work on the first draft of a new play.

Michael Harlow – 2004

Michael Harlow – 2004

Photo of Michael HarlowMichael Harlow (1937- ) was born in the USA of a Greek father and American-Ukrainian mother, travelled extensively in Europe before arriving in New Zealand in 1968. Known primarily for his poetry, which appears in several New Zealand anthologies, he was also in the 1980s an editor of the Caxton Press poetry series and poetry editor of Landfall. Harlow’s sensibility is also identified by a whimsical, questioning persona, and a persistent engagement with the workings of the unconscious.

Harlow first published in New York (Poems, 1965), in Greece (Events, Greece, 1967-1974, 1974) and in England (The Book of Quiet, 1974). Subsequent titles reveal his Eurocentrism: Nothing But Switzerland and Lemonade (1980), the first book of prose poems in New Zealand, Today Is the Piano’s Birthday (1981), Vlaminck’s Tie (1985) and Giotto’s Elephant (1991), shortlisted in the 1992 Book Awards.

Of his time at the Cottage Michael wrote “there is the very considerable benefit that this residency, linked as it is to the French cultural initiative (the ‘French connection’, if I may), adds significantly to raising the consciousness and profile of a national literature to that of an international level. Personally and professionally, I found the partnership with the French both gratifying and helpful.”

Michael went on to say “my own projects: the residency enabled me to almost complete a draft of a new book of poems and short prose texts, Inventing the Real; and in between-times to do some research and preliminary drafting for a further book, commissioned by Electio Press, a special hand-printed, limited edition of translations from the Greek lyric poet Simonides of Keos (5th century B.C.).

Tim Corballis – 2003

Tim Corballis – 2003

Photo of Tim CorbalisTim Corballis (1971 -) is a fiction writer whose first novel Below was published in 2001. His fiction has also appeared in Sport, The Picnic Virgin, and Spectacular Babies. He has attended both the University of Auckland and Victoria University of Wellington. It was at Victoria University that Corballis completed Bill Manhire’s Creative Writing Program, (now The International Institute of Modern Letters). At the end of the course, and before the publication of Below Corballis won the Adam Award for his first novel Measurement.

Corballis describes his work in Below and in more recent projects as “a sort of landscape writing which moves beyond issues of national identity and into issues of personal identity.”

His novel Measurement was published in 2002. This work has been described as “a moving meditation on the intricate relationship between life and memory.”

Peter Wells – 2002

Peter Wells – 2002

Peter WellsPhoto of Peter Wells (1950-2019) won the New Zealand and Reed awards for fiction with his first short story collection, Dangerous Desires (1991). Wells’ second collection, The Duration of a Kiss was published in 1994 and his first novel, Boy Overboard, in 1997.

One of Them! (1999) is a novella narrated by the same character, Jamie, who narrated the novel Boy Overboard. One of Them! was published to coincide with the screening on TV of the film version in September 1999.

Wells is equally known as a film and television director and scriptwriter, most notably for A Death in the Family (1986), which won a major New York award for its drama about the loss of a friend to AIDS; and for the feature film Desperate Remedies (co-written and directed with Stewart Main, starring Lisa Chappell, Jennifer Ward-Leyland and Cliff Curtis), selected to screen at the 1993 Cannes Film Festival.

Wells was joint winner (with C.K. Stead) of the 1999 Landfall essay competition. With Stephanie Johnson he is co-founder of the Auckland Writers’ Festival. His memoir, Long Loop Home (2001) won the Biography Award in the 2002 Montana New Zealand Book Awards.

His second novel, Iridescence (2003) spans three decades of the Victorian age. Remittance men were sent away from Britain to live in a colony on a small and regular sum – a remittance.

Of his time at the Randell Cottage Wells writes that it was important “because it gave me five months to live without having to think about money. This is always a spell in the life of an author. It was also reassuring. Authors always feel like made up people with a purpose in life which isn’t entirely real, because you don’t go off to work in the morning like other people. A residency makes you feel part of the real world. But it was also important because the cottage is sympathetically placed in a lovely old suburb in Wellington (incidentally Katherine Mansfield live just down the road). The cottage was built about the time I set the book. And it was just down the road from the National Archives, which were an amazing resource for historical research. The book felt blessed by the residency.”

Iridescence was a runner up in the fiction category of the Montana New Zealand Book Awards 2004 and was the project that Wells undertook during his time at the Randell Cottage.